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- Director: Meghna Gulzar
- resume: The trials and triumphs of Malti, an acid attack survivor. From the investigation of the attack to the court proceedings, the medical treatment to the emotional healing. Chhapaak is the story of the unquashable human spirit
- Release year: 2020
- Runtime: 120 min
- Country: India
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Laxmi Agarwal was 16 years old when her life changed forever. She was out running an errand in New Delhi in 2005 when she was attacked with acid by three assailants, one of whom was a 32-year-old family friend whose romantic advances she had refused. She suffered severe injuries and underwent multiple surgeries in the months and years following. “It was not only an attack on me, ” Agarwal says. “I was physically attacked, but my entire family paid for it. ”
Channeling her anger into action, Agarwal has since become a high-profile campaigner for banning the sale of acid and received the International Women of Courage Award from Michelle Obama in 2014. After encouraging other acid attack survivors in India to come forward with their stories, her own experience is now being told through the countrys biggest medium: a Bollywood film adaptation directed by Meghna Gulzar and produced by and starring Deepika Padukone. “Laxmi was the one who started fighting for this cause, she was the first one that uncovered her face and she was the one who was unapologetic about the way she looked, ” Padukone tells TIME, ahead of the Jan. 10 global release of Chhapaak. “She was kind of a torchbearer for any amendment that we see today in the law regarding the regulation of the sale of acid. ”
The release of Chhapaak, loosely translated as ‘splash) comes as violence against women in India has made a painful resurgence in the headlines in recent months. Beyond Indias borders, too, women took to the streets to protest violence against women: an anti-rape chant from Chile spread to 200 cities worldwide in December and mass demonstrations took place in France in November to condemn the countrys rising rate of femicide. While Chhapaak focuses on acid violence in particular, Padukone says the current global context underscores its relevance. “It makes us feel like there couldnt be a better time for a movie such as ours to come out. ”
Deepika Padukone stars in new film Chhapaak
Chhapaak stills
In a country where top film stars tend to steer clear of politics, Padukone—Indias highest-paid female actor—has made headlines this week for joining students protesting against the government on Tuesday evening. She stood silently behind a student leader who was injured when masked men, armed with sticks and rods, stormed into the campus of New Delhis Jawaharlal Nehru University (JNU) on Sunday, injuring some 30 people. After photos of Padukone at the protest circulated online, BoycottChhapaak trended on Twitter, while others praised Padukone for being a rare dissenting voice amid Indias political crackdown under the hashtag #ISupportDeepika.
It wasnt the first time Padukone has broken from the ranks of traditional A-List Bollywood stars to take a stand on important social issues — having gained a profile as an advocate for mental health and now turning her attention to acid violence. Statistics available from Indias National Crime Records Bureau indicate that 206 cases of acid attacks and attempts to perpetrate acid attacks on women were reported in 2016. Advocates say that unreported cases mean that the real figures are likely to be much higher, possibly as many as over 1, 000 attacks per year. According to Acid Survivors Trust International, acid attacks in India often occur in public places and in most cases, the attack is committed by a person known to the victim.
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After her attack, it took years for Agarwal to feel comfortable with going out in public. The support of family members and friends eventually gave her the strength to do so. “I thought that if these people can see me and they can accept me, why not the entire world? ” says Agrawal, now 31. In 2006, she and another acid attack survivor filed a Public Interest Litigation in the Supreme Court of India to regulate the sale of acid in the country and new criminal laws to deal with offenders. Seven years later in 2013, the Supreme Court ruled in their favor, adding restrictions on the sale of acid to individuals below the age of 18.
While the implementation of the regulations vary from state-to-state, Agarwal says that the past six years have seen further strengthening in the law and attitudes to survivors changing in broader society. Her own “Stop Sale Acid” campaign in 2018 encouraged local shop-owners to stop selling acid and offered a certification for those who took an oath to no longer sell it. “2013 was a start, because there was nothing for survivors, ” she says. “The most important thing, and the best thing that happened was the other acid attack survivors who took the courage to come out with their stories and be accepted by the world. ”
Director Meghna Gulzar and actor Deepika Padukone on the set of Chhapaak
From Chhapaak s inception, Agarwal was involved in the production process, meeting with Padukone several times and attending the shooting of the film. “When I saw Deepika playing me, I was so happy to see her look exactly like me, ” says Agarwal. While Padukone takes on the lead role based on Agarwal, several other acid attack survivors are featured in acting parts in Chhapaak. “What compelled me to do this project was the spirit that all of these survivors have, ” Padukone tells TIME. “Its also about what theyve chosen to make of their lives and that experience and that incident, that theyve not succumbed but have actually come out more victorious and stronger. Theres something for all of us to learn from that. ”
Padukones own experience of overcoming personal traumas added another layer to the storytelling of Chaapaak. In 2015, Padukone publicly spoke about her struggles with clinical depression and her mental health. That same year, she created the Live Laugh Love Foundation, aiming to reduce stigma, provide education and raise awareness around mental health. She sees the common thread between herself and Agarwal as turning adversity into advocacy. “I would never compare depression and acid violence because theyre completely different, but at the same time, those experiences influenced both of our lives, ” Padukone says. “[Agarwals] situation was life-threatening in a certain sense, mine was life-threatening in a different sense, yet we both have wanted to overcome that, to fight that, and to make that experience meaningful not just for ourselves but for the people around us. ”
For Agarwal, one of those people is her young daughter, who is looking forward to seeing the film. She also hopes that through the films portrayal of her journey, it will have a broader impact on attitudes towards acid attack survivors. Its a sentiment that resonates with Padukone too, who says she learnt a great deal about the challenges survivors face while acting in and producing the project. “On a much deeper level, hopefully we will be able to challenge the notion of what beauty is, or the way weve been conditioned to understand beauty, ” she says. “I think what they want is to not be treated as anything less than any of us. ”
Write to Suyin Haynes at.
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Har film ka virodh hoga iski. Chhapaak watch. Deepika is the queen of chemistry. She manages to look good with everyone. Vikrant and her are looking absolutely adorable together ❤️. January 10, 2020 6:37PM PT Director Meghna Gulzar and Indian superstar Deepika Padukone are affecting without excess in this fact-based drama about the aftermath of a horrible crime. Theres a scene late in “ Chhapaak, ” writer-director Meghna Gulzar s stirringly crafted and intelligently uplifting fact-based drama, where Malti (Deepika Padukone) the survivor of a horrific assault, tentatively expresses her warm feelings to Amol (Vikrant Massey) the crusading activist who has taken up the cause of women who have suffered similar attacks. But, true to form for this fiery idealist, Amol gruffly interrupts her romantic overtures. “This stuff, ” he insists, “belongs in the movies. ” Its tempting to read the exchange as Gulzars meta commentary on her own movie, which scrupulously avoids the emotional and stylistic extremes that, for better or worse, have come to define much of contemporary Indian cinema (and not just for Western audiences. To put it another way: If you walk into “ Chhapaak ” expecting typical Bollywood razzamatazz, you may be disappointed. There are no lavish production numbers, no exhilarating romantic interludes, no slo-mo acrobatics of any sort — and only two songs, neither of which are sung by anyone onscreen. On the other hand, if youre up for a conventional yet compelling tale of an exceptional young woman who overcomes brutish mistreatment and regains control of her destiny, you wont miss the usual song-and-dance at all. Working with co-writer Atika Chohan, Gulzar has taken a reasonable amount of dramatic license in telling the real-life story of Laxmi Agarwal, a 15-year-old New Delhi girl who, in 2005, was splashed with acid and hideously disfigured by a thirtysomething man whose stalkerish advances she had rebuffed. In “Chhapaak, ” the victim is slightly older, and known as Malti. Although Gulzar presents the attack early in the film — shockingly, but with sympathetic discretion — she doesnt explicitly detail motivation for the crime until a third-act flashback. In the meantime, she smartly focuses on Maltis efforts to will herself out of despair and depression, undergo a series of restorative surgeries, and press a legal case against her attacker. Maltis chief allies are Archana Bajaj (Madhurjeet Sarghi) a crusading attorney who rails against a national legal system that appears to treat acid assaults on women (a commonplace crime in India) as scarcely worse than misdemeanors, and the aforementioned Amol, the type of single-minded zealot who would serve as buzzkill at a party celebrating a legal victory because, well, he didnt think the ruling went far enough. (It speaks volumes about Vikrant Masseys underlying charisma that his character doesnt come across as a complete pill. ) Occasionally calling to mind socially conscious Warner Bros. melodramas of the 1930s, “Chhapaak” repeatedly emphasizes how ludicrously easy it is (or at least was, until recently) for acid-tossers to procure their assault weapon of choice throughout India. Worse, as attorney Bajaj explains in a key scene that is all the more potent for being so matter-of-factly subdued, the attackers are able to avoid appropriately long prison sentences because, according to the criminal code, throwing acid at someone is no more heinous than dousing them with hot tea. (A nice touch: Bajaj has ample time to do her crusading because her husband, played by Anand Tiwari, assumes without complaint most of the day-to-day parenting responsibilities for their daughter — whose growth, not incidentally, is a primary indication of time passages in the film. ) As Malti, Indian superstar Deepika Padukone relies less on exceptionally convincing makeup than straight-from-the-heart conviction to give her multifaceted performance the solid ring of truth. Neither she nor Gulzar resort to undue yanking of heartstrings while charting the evolution of Maltis resolve and recognition of her self-worth. At the same time, however, Padukone brings welcome touches of infectious humor and tart sassiness to the character, particularly while dealing with Amol and interacting with real-life acid-maimed women who appear (most notably, and affectingly, during a train trip) in bit parts. Two observations on the films structure are in order. First: When the audience finally gets to see the untouched beauty of Malti in the third-act flashback, were brutally reminded of the sheer monstrousness of her attacker, just at the perfect time to make the films resolution even more satisfying. On the other hand, be forewarned: The epilogue is quite capable of slapping the smile right off your face. “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “Youre the Worst”) hole up in a snowbound cabin swapping scary tales by the fireplace. He postures as a horror novelist, director, screenwriter and. The experiment known as Biosphere 2 may be best remembered now — when remembered at all — as something that spawned “Bio-Dome, ” the godawful 1996 comedy that is nonetheless many peoples favorite movie involving Pauly Shore or Stephen Baldwin. (Of course, others might get hives at the very idea of having a favorite anything involving. The shares of Chinas entertainment companies crashed within minutes of stock markets reopening on Monday morning. Many firms saw share trading quickly halted after prices moved by the 10% maximum daily limit allowed on mainland Chinese equity markets. Film studio Huayi Brothers Media plunged 9. 9% to RMB 3. 81 per share. Wanda Film was down 10. 01. Disney Plus unveiled the first footage from its upcoming Marvel TV series — “WandaVision, ” “Loki” and “The Falcon and the Winter Soldier” — during the Super Bowl. The 30-second trailer teases the expanding comic book world that will unfold on Disneys streaming service. The new series are set in the Marvel Cinematic Universe and will. James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craigs British spy, promises the 25th “Bond” movie “will change everything. ” The 30-second clip also sees Lashana Lynchs 00 agent in the cockpit as Craig asks, “Have you ever flown. Joaquin Phoenix called on his peers to help dismantle racism in the film industry during a rallying acceptance speech for his best actor award at the 2020 BAFTAs. During a ceremony that was short on controversy, the “Joker” star was the only industry figure to discuss the ongoing issue in the film business, claiming that. Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage teases Natasha Romanoffs life before she was an Avenger. “You dont know everything about me, ” Johanssons Black Widow says.
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Chapaak official trailer. Chhapaak trailer. What the hell is this? Acid Attacks are the most heinous crimes against women, and this is somehow being glamorized by re-creating the 'look' of an acid attack survivor by a make up artist. Deepika is allowed to have her own views; if she wants to stand in solidarity with JNU, she can. It is her right to do so. But what's so stupid about Chhapaak is not giving acknowledgments to Laxmi Agarwal, so now her lawyers are going to make a legal case against her? And now this? The intention behind the movie is good - raising awareness towards these issues, showing how easy it is to buy acid etc. However, it's so misleading & counter intuitive to be pulling shit like this, it's almost as if it ruins the core message(s) of the movie. Sad and frustrating.
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